KGB: Barry Eisler in conversation with Jeremy Scahill

February 24, 2016
7:00 pm - 9:00 pm

About the talk
Scahill’s a fan of Eisler’s fiction…and Eisler gets his story ideas from publications like Scahill’s The Intercept and books and films like Dirty Wars. So this should be an interesting conversation—not just about the nature of our metastasizing national surveillance state, but also about the complicity of the establishment media and the role of fiction, film, and television in shaping the public’s understanding of what the government is doing in our name.

About Jeremy Scahill
Jeremy Scahill is one of the three founding editors of The Intercept. He is an investigative reporter, war correspondent, and author of the international bestselling books Dirty Wars: The World Is a Battlefield and Blackwater: The Rise of the World’s Most Powerful Mercenary Army. He has reported from Afghanistan, Iraq, Somalia, Yemen, Nigeria, the former Yugoslavia, and elsewhere across the globe. Scahill has served as the national security correspondent for The Nation and Democracy Now!.

Scahill’s work has sparked several congressional investigations and won some of journalism’s highest honors. He was twice awarded the prestigious George Polk Award, in 1998 for foreign reporting and in 2008 for Blackwater. Scahill is a producer and writer of the award-winning film Dirty Wars, which premiered at the 2013 Sundance Film Festival and was nominated for an Academy Award.

About Barry Eisler
Barry Eisler spent three years in a covert position with the CIA’s Directorate of Operations, then worked as a technology lawyer and startup executive in Silicon Valley and Japan, earning his black belt at the Kodokan International Judo Center along the way. Eisler’s award-winning thrillers have been included in numerous “Best Of” lists, have been translated into nearly twenty languages, and include the #1 bestseller The Detachment. Eisler lives in the San Francisco Bay Area and, when he’s not writing novels, blogs about torture, civil liberties, and the rule of law. www.barryeisler.com.

About The God’s Eye View
The God’s Eye View is CIA veteran Eisler’s 11th novel, a story of mass surveillance, whistleblowers, and an intrepid Intercept reporter. Enthusiastic reception includes a boxed review in Publishers Weekly ("Eisler’s expert knowledge of spy craft and hand-to-hand combat combine with his ultra-deep distrust of government intelligence to propel this suspenseful yarn into the front ranks of paranoid thrillers”); a starred review in Booklist (“When Kubrick’s Dr. Strangelove was having its run, service people left the theater muttering, ‘That wasn’t a satire. That’s what they’re like.’ So it is with Eisler’s fine thriller…”); and some kind words from Barrett Brown, Chelsea Manning, Jesslyn Radack, and other journalists and whistleblowers.

Knowledge is power…and they know everything.

NSA director Theodore Anders has a simple goal: collect every phone call, email, and keystroke tapped on the Internet. He knows unlimited surveillance is the only way to keep America safe.

Evelyn Gallagher doesn’t much care about any of that. She just wants to keep her head down and manage the NSA’s camera network and facial recognition program so she can afford private school for her deaf son, Dash.

But when Evelyn discovers the existence of an NSA program code-named God’s Eye, and connects it with the mysterious deaths of a string of journalists and whistleblowers, her doubts put her and Dash in the crosshairs of a pair of government assassins: Delgado, a sadistic bomb maker and hacker; and Manus, a damaged giant of a man who until now has cared for nothing beyond protecting the director.

Within an elaborate game of political blackmail, terrorist provocations, and White House scheming, a global war is being fought—a war between those desperate to keep the state’s darkest secrets, and those intent on revealing them. A war that Evelyn will need all of her espionage training and savvy to survive. A war in which the director has the ultimate informational advantage: The God’s Eye View.