Boris Fishman was born in Minsk, in the former Soviet Union, in 1979, and emigrated to the United States in 1988. His journalism, essays, and criticism have appeared in The New Yorker, The New York Times Magazine and Book Review, The New Republic, The Nation, Harper’s, Vogue, The London Review of Books, The Wall Street Journal and other publications. Boris received a degree in Russian literature from Princeton University. Afterward, he was on the editorial staff of The New Yorker; edited “Wild East: Stories from the Last Frontier” (Random House), a collection of short stories about the former Soviet Union and Eastern Europe in the early post-Communist years; received a Fulbright research grant to Istanbul, Turkey; and co-wrote and edited the U. S. Senate’s report on Hurricane Katrina.
A Replacement Life, out from HarperCollins and a Barnes & Noble Discover Great New Writers pick, is his first novel. His next, Don’t Let My Baby Do Rodeo, about a New Jersey couple that adopts a boy from Montana who turns out to be wild, will be out from HarperCollins in early 2016. Other projects include The Church Is Near, But the Way There Is Icy; The Tavern Is Far, But I’ll Walk Carefully: 101 Recipes from Oksana’s Kitchen, an unusual Ukrainian cookbook, and Finding Mr. Harrison, a memoir of his alpha grandfather and decidedly non-alpha father, and seeking out the American writer whose books helped him make sense of their crossfire.
“Is there room in American fiction for another brilliant young émigré writer? There had better be, because here he is. Boris Fishman’s first novel, “A Replacement Life,” is bold, ambitious and wickedly smart.” The New York Times
Alexander Maksik is the author of the novels You Deserve Nothing and A Marker to Measure Drift, which has been shortlisted for Le Prix du Meilleur Livre Étranger and named a New York Times Book Review Notable Book of 2013. His writing has appeared or is forthcoming in Best American Nonrequired Reading, Harper’s, Tin House, Harvard Review, The New York Times Magazine, The Atlantic, Salon, and Narrative Magazine, among other publications. He is a contributing editor for Condé Nast Traveler, and his work has been translated into more than a dozen languages. A graduate of the Iowa Writers’ Workshop, he has received a Pushcart Prize and fellowships from the Truman Capote Literary Trust and The Corporation of Yaddo.
“Maksik writes, credibly, across the boundaries of gender and, in this book, race. “Marker” is a study of scarred consciousness struggling to come to terms with the violence done to it in a moment of cataclysmic horror.“ Norman Rush
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